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Wikipedia page on Shelley's poem.
Text:
MONT BLANC: LINES WRITTEN IN THE VALE OF CHAMOUNI
I
--Occasional & philosophical & associational, like Coleridge's conversation poems |
1
The everlasting universe of things
2
Flows through the mind, and rolls its rapid waves,
3
Now dark--now glittering--now reflecting gloom--
4
Now lending splendour, where from secret springs
5
The source of human thought its tribute brings
6
Of waters--with a sound but half its own,
7
Such as a feeble brook will oft assume,
8
In the wild woods, among the mountains lone,
9
Where waterfalls around it leap for ever,
10
Where woods and winds contend, and a vast river
11
Over its rocks ceaselessly bursts and raves.
II
--The personification is more than a convention --"awful" means what it says (See the "cloud shadows" in Utah.) --"Power in the likeness of the Arve" --"some unsculptur'd image" (See Niagra Falls Rainbow and Roaring River Falls) --"desert": no sand Compare lines 34-48 to Coleridge's musings in " The Elion Harp" What are the similarities? Are there differences? |
12
Thus thou, Ravine of Arve--dark, deep Ravine--
13
Thou many-colour'd, many-voiced vale,
14
Over whose pines, and crags, and caverns sail
15
Fast cloud-shadows and sunbeams: awful scene,
16
Where Power in likeness of the Arve comes down
17
From the ice-gulfs that gird his secret throne,
18
Bursting through these dark mountains like the flame
19
Of lightning through the tempest;--thou dost lie,
20
Thy giant brood of pines around thee clinging,
21
Children of elder time, in whose devotion
22
The chainless winds still come and ever came
23
To drink their odours, and their mighty swinging
24
To hear--an old and solemn harmony;
25
Thine earthly rainbows stretch'd across the sweep
26
Of the aethereal waterfall, whose veil
27
Robes some unsculptur'd image; the strange sleep
28
Which when the voices of the desert fail
29
Wraps all in its own deep eternity;
30
Thy caverns echoing to the Arve's commotion,
31
A loud, lone sound no other sound can tame;
32
Thou art pervaded with that ceaseless motion,
33
Thou art the path of that unresting sound--
34
Dizzy Ravine! and when I gaze on thee
35
I seem as in a trance sublime and strange
36
To muse on my own separate fantasy,
37
My own, my human mind, which passively
38
Now renders and receives fast influencings,
39
Holding an unremitting interchange
40
With the clear universe of things around;
41
One legion of wild thoughts, whose wandering wings
42
Now float above thy darkness, and now rest
43
Where that or thou art no unbidden guest,
44
In the still cave of the witch Poesy,
45
Seeking among the shadows that pass by
46
Ghosts of all things that are, some shade of thee,
47
Some phantom, some faint image; till the breast
48
From which they fled recalls them, thou art there!
III
--line 53: "unfurl'd / The veil of life and death?" ? --"Ghastly, and scarr'd, and riven": reflecting advances in science and recognizing the destructive power of nature --publication of Description Geologiques des Environs de Paris in 1811, which outlined the concept of stratigraphy --"awful doubt" is not cynicism --"But for such faith" means "only by the aid of", not "despite" --How could Mont Blanc have a voice to "repeal / Large codes of fraud and woe"? |
49
Some say that gleams of a remoter world
50
Visit the soul in sleep, that death is slumber,
51
And that its shapes the busy thoughts outnumber
52
Of those who wake and live.--I look on high;
53
Has some unknown omnipotence unfurl'd
54
The veil of life and death? or do I lie
55
In dream, and does the mightier world of sleep
56
Spread far around and inaccessibly
57
Its circles? For the very spirit fails,
58
Driven like a homeless cloud from steep to steep
59
That vanishes among the viewless gales!
60
Far, far above, piercing the infinite sky,
61
Mont Blanc appears--still, snowy, and serene;
62
Its subject mountains their unearthly forms
63
Pile around it, ice and rock; broad vales between
64
Of frozen floods, unfathomable deeps,
65
Blue as the overhanging heaven, that spread
66
And wind among the accumulated steeps;
67
A desert peopled by the storms alone,
68
Save when the eagle brings some hunter's bone,
69
And the wolf tracks her there--how hideously
70
Its shapes are heap'd around! rude, bare, and high,
71
Ghastly, and scarr'd, and riven.--Is this the scene
72
Where the old Earthquake-daemon taught her young
73
Ruin? Were these their toys? or did a sea
74
Of fire envelop once this silent snow?
75
None can reply--all seems eternal now.
76
The wilderness has a mysterious tongue
77
Which teaches awful doubt, or faith so mild,
78
So solemn, so serene, that man may be,
79
But for such faith, with Nature reconcil'd;
80
Thou hast a voice, great Mountain, to repeal
81
Large codes of fraud and woe; not understood
82
By all, but which the wise, and great, and good
83
Interpret, or make felt, or deeply feel.
IV
--daedal: "Ingenious and complex in design or function; intricate" The word is a form of the name Daedalus --"Are born and die" are the verbs of the sentence --"adverting mind" is a mind which turns its attention to related matters, makes connections --In the passage from line 100 ("The glaciers creep") to the end of the section, what impression of nature is given? |
84
The fields, the lakes, the forests, and the streams,
85
Ocean, and all the living things that dwell
86
Within the daedal earth; lightning, and rain,
87
Earthquake, and fiery flood, and hurricane,
88
The torpor of the year when feeble dreams
89
Visit the hidden buds, or dreamless sleep
90
Holds every future leaf and flower; the bound
91
With which from that detested trance they leap;
92
The works and ways of man, their death and birth,
93
And that of him and all that his may be;
94
All things that move and breathe with toil and sound
95
Are born and die; revolve, subside, and swell.
96
Power dwells apart in its tranquillity,
97
Remote, serene, and inaccessible:
98
And this, the naked countenance of earth,
99
On which I gaze, even these primeval mountains
100
Teach the adverting mind. The glaciers creep
101
Like snakes that watch their prey, from their far fountains,
102
Slow rolling on; there, many a precipice
103
Frost and the Sun in scorn of mortal power
104
Have pil'd: dome, pyramid, and pinnacle,
105
A city of death, distinct with many a tower
106
And wall impregnable of beaming ice.
107
Yet not a city, but a flood of ruin
108
Is there, that from the boundaries of the sky
109
Rolls its perpetual stream; vast pines are strewing
110
Its destin'd path, or in the mangled soil
111
Branchless and shatter'd stand; the rocks, drawn down
112
From yon remotest waste, have overthrown
113
The limits of the dead and living world,
114
Never to be reclaim'd. The dwelling-place
115
Of insects, beasts, and birds, becomes its spoil;
116
Their food and their retreat for ever gone,
117
So much of life and joy is lost. The race
118
Of man flies far in dread; his work and dwelling
119
Vanish, like smoke before the tempest's stream,
120
And their place is not known. Below, vast caves
121
Shine in the rushing torrents' restless gleam,
122
Which from those secret chasms in tumult welling
123
Meet in the vale, and one majestic River,
124
The breath and blood of distant lands, for ever
125
Rolls its loud waters to the ocean-waves,
126
Breathes its swift vapours to the circling air.
V
--Is the question with which the poem concludes frightening or inspiring? |
126
Mont Blanc yet gleams on high:--the power is there,
127
The still and solemn power of many sights,
128
And many sounds, and much of life and death.
129
In the calm darkness of the moonless nights,
130
In the lone glare of day, the snows descend
131
Upon that Mountain; none beholds them there,
132
Nor when the flakes burn in the sinking sun,
133
Or the star-beams dart through them. Winds contend
134
Silently there, and heap the snow with breath
135
Rapid and strong, but silently! Its home
136
The voiceless lightning in these solitudes
137
Keeps innocently, and like vapour broods
138
Over the snow. The secret Strength of things
139
Which governs thought, and to the infinite dome
140
Of Heaven is as a law, inhabits thee!
141
And what were thou, and earth, and stars, and sea,
142
If to the human mind's imaginings
143
Silence and solitude were vacancy?
General Question: how is this an example of "skeptical idealism"? (See p. 750 of the anthology.)