NAVIGATION: Index of Dr. Weller's Class Materials Index of Shakespeare Materials

Edward de Vere, 17th Earl of Oxford (12 April 1550 - 24 June 1604) vs. Shakespeare


"Since the 1920s, the Oxfordian theory has been the most popular alternative Shakespeare authorship theory." -- So says Wikipedia: Here's a link to the Wikipedia page, Oxfordian theory of Shakespeare authorship

In his own time, Oxford was reputed to be an outstanding author of plays and lyric poetry. No play attributed to Oxford has survived, but we do have some of his lyric poetry. --So here's an exercise: Side-by-side are a poem about a lady's beauty by Oxford and a sonnet on the same subject by Shakespeare. What do you think? Did the same person write both?

What cunning can express
The favour of her face?
To whom in this distress,
I do appeal for grace.
A thousand Cupids fly
About her gentle eye.

From which each throws a dart,
That kindleth soft sweet fire:
Within my sighing heart,
Possessed by Desire.
No sweeter life I try,
Than in her love to die.

The lily in the field,
That glories in his white,
For pureness now must yield,
And render up his right;
Heaven pictured in her face,
Doth promise joy and grace.

Fair Cynthia's silver light,
That beats on running streams,
Compares not with her white,
Whose hairs are all sun-beams;
So bright my Nymph doth shine,
As day unto my eyne.

With this there is a red,
Exceeds the Damask-Rose;
Which in her cheeks is spread,
Whence every favour grows.
In sky there is no star,
But she surmounts it far.

When Phoebus from the bed
Of Thetis doth arise,
The morning blushing red,
In fair carnation wise;
He shows in my Nymph's face,
As Queen of every grace.

This pleasant lily white,
This taint of roseate red;
This Cynthia's silver light,
This sweet fair Dea spread;
These sunbeams in mine eye,
These beauties make me die


Sonnet 130

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
    And yet, by heaven, I think my love as rare
    As any she belied with false compare.

See Touchstone's commentary on Oxford's kind of poetry:
As You Like It, Act 3, Scene 2, lines 88 ff.

Now back to the Notes for the Introductory Lecture.